As you can see if you click to zoom in, the close up of the scan reveals quite a lot of damage. I made sure to tell the customer that it might not be a perfect photo in the end – a lot of cracks were right across her face – but I would do what I could to remove and minimize the appearance of damage.

In the end, the photo really didn’t come out too bad! Sometimes I need to resort to a look that is a little more like a painting than the fine detail of photography, to mask all of the work that has been done, and this is a good example of that. It is something the family can enjoy into the future, though, and that was the goal.

This happy photo of my customer’s grandparents had become mildew damaged, mostly on the right side. I knew I could restore it because much of the damage was on the background and the dress, and it would not be impossible to smooth the rest of it from the grandmother’s face. I zoomed in very close to to work on the areas that needed to have fine detail and allowed the work to be less specific in areas like the background. It was a slow process but I was able to involve the texture of the dress in undamaged areas in replacing areas of cloth which were mildewed.

The end result was new 8×10 prints that I had ordered and sent to my customer to use as gifts. By focusing most of my effort on areas like the face that had to be flawless, and using good data from other areas of the photo to repair the more generic areas like cloth, I was able to restore this photo with only minimal use of Photoshop filters to give it an even grain in the end.

This small photo had faded a great deal and needed to be restored as well as reprinted to new dimensions of 5×7. The first thing that I adjusted was the contrast – and that, of course, brings out all sorts of imperfection details that need to be fixed.

The result is a good example of what one can expect when a photo is as faded, and so much information lost as this one had. I was able to create a good reproductive image of the couple to be reprinted, without all of the cracks, dings and other flaws. The photo can never be as sharp as the original, again, but as long as that is understood, it is a good way to preserve a treasured family photo in digital format and it will print well for reproductions, too.

The customer had it scanned herself, since it was the only image she had. I had her scan it at 600 “dots per inch” to assure I had detail to work with, since it was quite small. I certainly had my work cut out for me – more than just the usual aging spots and cracks, this photo also had scotch tape attached to it and hair under the tape. It was going to need a combination of careful filters and adjustments, and manual painting over areas that needed detailed repair.

When an image is this bad, and the color is mostly faded away, it sometimes is easier to remove the color to work and then put it back, or remove it and restore the photo to sepia-tone. I decided to work on this photo in black and white so I could concentrate on the work and tint it later since the color was so faded.

As I tell all my customers with photos like this, I can only restore what is there. If the persons nose is faded to nothingness, and adjusting the image a few different ways doesn’t bring back the detail to work with, the only option is to create a new nose, which requires fine art, not restoring. I also let them know that sometimes when you do apply a lot of adjustments and corrections to a photo, it starts to look less sharp (if it ever was!) and often the best way to resolve that is to create something more akin to a “likeness” of that person, than a realistic image. This is an example of what I mean by that. By the time the restoration was complete, it made more sense to let the texture and fuzziness remain and make it look more like a tinted painting or a colored pencil drawing – not a photo but a good clean representative likeness of the loved one. Sometimes, unfortunately, that is all that can be done. It was certainly a great improvement from the original scrappy little photo! ]]> http://www.perfectaphoto.com/2010/10/restoring-the-old-ones/feed/ 0 http://www.perfectaphoto.com/2010/02/aunt-and-nieces-portrait/ http://www.perfectaphoto.com/2010/02/aunt-and-nieces-portrait/#comments Thu, 18 Feb 2010 15:57:18 +0000 Eileen http://www.perfectaphoto.com/?p=516 This is an aunt and nieces portrait from one of my favorite eras – I love the clothes from this time and covet this gorgeous ladies shoes!

The original photo had a lot of surface cracks and an “oily” surface stain that needed to be removed. As usual, I wanted to remove the degradation without losing the detail of the photograph underneath. I’ve noticed this is a problem with restorations I see online – they often blur the area to remove the cracks or stain but then everything is altered. I prefer to take a very high resolution scan and go in with a graphics tablet and pen and literally erase the cracks by hand without using any filters, so that doesn’t happen anywhere but in background sections. This is a close up of the largest cracked area I needed to repair:

The final restored portrait was a success – my client “absolutely loved them” – and it will be displayed side by side with the other portrait of her grandmother, the Girl with Hat that I restored.

The original was about 8×10. I scanned it at a very high resolution so I could see every detail, and went in with my graphics tablet and removed all of the cracks, large and small. I also removed a lot of speckling that had taken place in the dye surface. That was really the easy part and something I do regularly.

Replacing the area which had been wet was a bigger challenge because the ink had all run to the color blue. I needed to repaint it based on what little I could see underneath, and pick up the dresses fabric pattern from the areas which weren’t damaged. This was obviously the most time consuming aspect of the restoration.

In the end it was worth the detailed effort – here is the photo, restored and ready to be printed again.

It took dozens of adjustments to get there but in the end, I was able to return much of the color to the image – which is pretty amazing when you look at the faded one and how little actual color is there. Unfortunately, this is pretty typical of photos taken with the photography technology of that era – and since photos are meant to be displayed for all to see, this is a common occurrence.

Now that it has been restored, the families of all five grown up children can get a copy to print and hang – or store safely on a CD.

When I first saw this photo, I knew I had a challenge ahead of me.  It was only 4×6 inches, and torn in so many places that it was held together on the back with scotch tape, folding in my hand. There were large chunks torn off the edges, staining and yellowing, and areas of what appeared to be a dark speckled dirtiness that I’d never seen in an image before. I scanned it as is, at the highest possible resolution I could. I was going to need to work on this in great detail and every pixel would count. But I could see that underneath it all, there was a rich, detailed photo of a beautiful woman and it was my job to save her.

Here, you can see a close up of one part of the original.

One of the first things I did was remove all of the unnecessary background so I could focus on her face and dress. Then, zooming in, I restored bit by bit, starting with larger areas and then zooming in even deeper for close up, tiny work. I had to recreate a number of areas, like around and through her right eye, and carefully restore her face to reality. The dirty areas were another challenge – having not encountered that kind of damage before, I had to experiment with techniques to make it go away, without ruining patterns and textures underlying it.

Here is the final image, which I was able to enlarge for a 8×10 photo print.

The trickiest part of this restoration was that the entire photo had a web of fine cracks and some serious deep cracks through both the faces and the fabric, which I needed to restore around without it appearing it had ever been damaged.

While some restorations can be done with a lot of filters and special effects in Photoshop, some need a lot of fine detail work with the graphic tablet and pen.

The results are worth it – in the end, you can’t even tell that the tears or cracks existed. And the detailed texture in the dress remains as true as the day the photo was taken.

As you can see, this wonderful photo of two little boys is badly damaged and aged.

It is about 40 years old so it has yellowed and up close, there are numerous cracks, both serious and fine.

The work took 4-5 hours total, because of the level of detailed work necessary to remove every crack, and repaint areas which were missing completely.  I also scanned it at a high enough resolution that the final image could be reprinted at 5×7 inches, and be a treasure to both men’s children.