The Catalina Islander, a local newspaper in California, hired me to restore and color tint this vintage photo to use for a July 4th edition. A reader had provided the photo, which featured his mother, on the left, as a young woman.

After I got past the initial puzzle of how the drummer was staying upright without a tow rope, in a day and age where Photoshop was non existent, I started by cleaning up some minor degradation and spotting. Then I adjusted the contrast in places that were dark but still needed color, like the flag’s stripes. The client provided some input into the colors to use, and I chose others that seemed appropriate. After a number of revisions, the new version looked like it had been tinted the way it was done by hand in the old days of photography – using Photoshop. This is the final result:

It’s always a great idea to include family history and stories in small family operated business web sites, and that is what Tobia Construction did on their About Page. But the photo of the owner’s father was a bit rough looking with age, and needed it cleaned up and improved a bit. There were some dusty parts, some specs of dirt, and a lot of fading in areas for me to work on, as you can see by clicking this image for a close-up.

Here is the final result, which I delivered in 4×6 format for reprinting or distribution to other family members – and scaled to a good size for the web page. I intentionally left the vintage look intact, and added a new sepia tone (brownish tint) which would have been appropriate to this time period.

There was a time when if you wanted a color photograph, the photographer would have to hand tint the black and white photo with colored dyes. This was a very detailed, time consuming process but the result is a beautiful “old fashioned” look that I’ve always loved. When I received this cool young photo of my grandmother Rose, a woman who often wore bright pinks and blues, I knew I was going to have to give it a try – only instead of using dye, I’d use Photoshop.

This is the original photo. As you can see, it’s quite nice – very textured from the paper it was printed on, and only a few minor imperfections.

The first thing I did was scan it, and do some clean up, so it would look like this. I also desaturated it (made it all grey) which removed some of the tiny brown spots that were splattered about.

I had the fortune to know my grandmother so I knew she had beautiful blue eyes, light brown hair and a fair, rosy complexion. I started this project trying to approximate those colors myself – but it turned out to be a real roll of the dice, fifty bazillion shades of blue and brown all considered. Then, I had an idea. I could sample colors from an actual photo of her! I had this one, the grandmother I knew growing up.

A few wild and fun hours later – voila – a “hand tinted” old photo of Rose! As with the traditional method, the goal is to get as life like as possible but of course, there is nothing like the real bloom on a Rose’s cheek (hey now, don’t groan!). I found that laying on flat color was relatively easy but for it to look right, quite a bit of fine tuning, detailed painting and color adjustment was needed to give it depth and realism.

Here’s a closer view so you can see the great texture that is in this image.

For a really nice effect on your old black and white family photos, let’s give tinting a whirl!

People often ask me if I’ve ever been thwarted in my attempts to restore a photo. Usually not, I say – but there are some photo eras which for whatever reason are harder to restore than others. The photographic technology of the 1970s, is a prime example. However photos were printed in that time period, they tend to go extremely bad, even when sealed up out of the sun. And once the image is damaged like this, it’s extremely hard to bring it back to full quality.

This photo was kept in an album made for photographs, supposedly “archival quality” and it was taken in 1978. It rarely saw daylight so I was shocked to find it in this condition when I opened up the album recently. In fact, ALL the photos from that time period, printed this way, were in similar condition.

I can honestly say I threw more of my Frankenphoto super powers into this one than I do most – and this was the best I could get in the end. I offer it as an example of both what IS possible and what is not, so that if you have photos in this condition, your expectations are realistic about what kind of restoration is possible. Perfect, certainly not – but certainly more recognizable (and now digitally preserved) than the original.

This customer from Singapore sent me two separate photos and asked if I could merge them together. I used a third photo, provided by them, as the background.

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I also did some retouching on their faces and eyes, and added shadows so they’d seem to be more realistically leaning into each other. This is the final result, the two kids together in one shot.

This client sent me two high resolution scans of some very badly aged and damaged photos of her grandfather. Click them to see what I started with.

I explained that in at least one of them, the loss of picture quality would mean that the end result would possibly be lacking in detail, but that I could indeed restore these images to excellent likenesses of her grandfather. I wanted to make sure that she had the right expectations – then try to exceed them.

These were the final results. I provided the client with both photos, fixed and cropped to print as many 4×6 copies as she wanted.

This treasured family photo was given to me to restore. It was discolored, cracked and torn in five places, and had some water marks and stains.

I pieced it together on the scanner and restored it as close as possible to its original condition. The hardest part was the mom’s left eye and cheek, which was really torn up so I had to redraw most of that. But this is the end result – quite near to perfect and ready to be shared with family members.

This young mom had a perfect photo for her families holiday greeting card – if only the background of the image were better! So she hired me to remove the background and replace it with something seasonal, and do some photo retouching to make it perfect. All I really had to do was remove some facial glare, brighten everyone up and adjust some clothing colors to work perfectly with the background.

This is the original – a great shot!

And this is the final result, as it will look in the photo frame she was going to use: