Sometimes someone will come to me with a photo that they’ve discovered, an unexpected found treasure that offers a glimpse of a long passed relative in an image they did not know they had. And often, that photo has become so worn and faded with time that there is not a lot of information left to restore. But that doesn’t stop me from trying. I just make sure they understand what we’re up against and set their expectations at the right level for the photo I’m working with. This was one such image.

The customer had it scanned herself, since it was the only image she had. I had her scan it at 600 “dots per inch” to assure I had detail to work with, since it was quite small. I certainly had my work cut out for me – more than just the usual aging spots and cracks, this photo also had scotch tape attached to it and hair under the tape. It was going to need a combination of careful filters and adjustments, and manual painting over areas that needed detailed repair.

When an image is this bad, and the color is mostly faded away, it sometimes is easier to remove the color to work and then put it back, or remove it and restore the photo to sepia-tone. I decided to work on this photo in black and white so I could concentrate on the work and tint it later since the color was so faded.

As I tell all my customers with photos like this, I can only restore what is there. If the persons nose is faded to nothingness, and adjusting the image a few different ways doesn’t bring back the detail to work with, the only option is to create a new nose, which requires fine art, not restoring. I also let them know that sometimes when you do apply a lot of adjustments and corrections to a photo, it starts to look less sharp (if it ever was!) and often the best way to resolve that is to create something more akin to a “likeness” of that person, than a realistic image. This is an example of what I mean by that. By the time the restoration was complete, it made more sense to let the texture and fuzziness remain and make it look more like a tinted painting or a colored pencil drawing – not a photo but a good clean representative likeness of the loved one. Sometimes, unfortunately, that is all that can be done. It was certainly a great improvement from the original scrappy little photo!

This is an aunt and nieces portrait from one of my favorite eras – I love the clothes from this time and covet this gorgeous ladies shoes!

The original photo had a lot of surface cracks and an “oily” surface stain that needed to be removed. As usual, I wanted to remove the degradation without losing the detail of the photograph underneath. I’ve noticed this is a problem with restorations I see online – they often blur the area to remove the cracks or stain but then everything is altered. I prefer to take a very high resolution scan and go in with a graphics tablet and pen and literally erase the cracks by hand without using any filters, so that doesn’t happen anywhere but in background sections. This is a close up of the largest cracked area I needed to repair:

The final restored portrait was a success – my client “absolutely loved them” – and it will be displayed side by side with the other portrait of her grandmother, the Girl with Hat that I restored.

This beautiful photo of my customers grandmother melted my heart the moment I saw it.  And what a great hat she is wearing!

The original photo had beautiful graininess and composition but the surface had degraded over the decades, with areas that had faded or cracked. The customer sent me a very high resolution scan so that I could retain all of that beautiful texture and remove the aging without losing the fine details.

Here is the final photo, restored. Originally, this was probably a black and white photo and I initially desaturated it to black and white to work on it, but then returned a sepia tone to make it look antiqued. That was done simultaneously with the Aunt photo, which it would accompany.

The end goal in all of the photo restoration I completed recently was to create a 20×30″ print that could be given as a gift to the children and grandchildren of the woman in the photos, who is now in her 70s. Rather than remove every photo from the background, I chose to make three of them retain thier “frame” and the others, larger and free floating in the foreground. I think this made for a more interesting and unique composition when all was said and done. Each individual photo is still in either a 4×6, 5×7 or 8×10 size, also, for individual printing.

This is a perfect example of how a photo restoration project can be both a way to recover and preserve family heritage, and a very cost effective way to give gifts to an extended group of people. Although this was a large amount of restoration overall, with the bulk discount I applied and the really low cost of actually printing individual fixed photos, the project resulted in a treasure for many people in this family. A similar photo collage approach is also ideal for photo memorials!

This very serious portrait was fading with age, and had become spotted with multiple stains.  To preserve it,  I removed all the brown stains, then adjusted the contrast and added back the sepia tone.

Adjusting the photo enhanced textures that were hidden in the faded image, like the lacy texture of her dress and paint strokes in the backdrop. I removed the black object on her chest, because it was too  nondescript to be sure what it was and it just looked like a blemish.

Something like this doesn’t take long at all but what a difference it makes in the final photograph, ready for framing.

Every so often, I see a photo that is so badly damaged that I wonder if I can actually fix it to my own satisfaction. The trick is being able to see beyond the cracks and tears to what was there before, and have the ability to repaint the areas that are gone. Although time consuming, this is far more possible than if the photo I’m working with is badly blurred or faded to the point that no detail is there.

When I first saw this photo, I knew I had a challenge ahead of me.  It was only 4×6 inches, and torn in so many places that it was held together on the back with scotch tape, folding in my hand. There were large chunks torn off the edges, staining and yellowing, and areas of what appeared to be a dark speckled dirtiness that I’d never seen in an image before. I scanned it as is, at the highest possible resolution I could. I was going to need to work on this in great detail and every pixel would count. But I could see that underneath it all, there was a rich, detailed photo of a beautiful woman and it was my job to save her.

Here, you can see a close up of one part of the original.

One of the first things I did was remove all of the unnecessary background so I could focus on her face and dress. Then, zooming in, I restored bit by bit, starting with larger areas and then zooming in even deeper for close up, tiny work. I had to recreate a number of areas, like around and through her right eye, and carefully restore her face to reality. The dirty areas were another challenge – having not encountered that kind of damage before, I had to experiment with techniques to make it go away, without ruining patterns and textures underlying it.

Here is the final image, which I was able to enlarge for a 8×10 photo print.

The trickiest part of this restoration was that the entire photo had a web of fine cracks and some serious deep cracks through both the faces and the fabric, which I needed to restore around without it appearing it had ever been damaged.

While some restorations can be done with a lot of filters and special effects in Photoshop, some need a lot of fine detail work with the graphic tablet and pen.

The results are worth it – in the end, you can’t even tell that the tears or cracks existed. And the detailed texture in the dress remains as true as the day the photo was taken.

My client on this project had a photo of her grandmother’s wedding, which had faded a great deal and become quite degraded over the years.

We discussed her expectations before I started – I wasn’t sure if there was enough information remaining in the original to get a sharp detailed result. Her priority was to enhance her grandmother’s face as much as possible. It’s important to understand that sometimes there just isn’t enough detail left in a photograph to restore, and that is why its important to digitize and restore old treasured family photos as early as possible. Another couple years and this young bride’s image might have faded from view forever.

This was the resulting photo of the entire wedding party.

Although it is certainly not as perfect as we’d have both liked to see, enough of the brides face was restored to give my client a reasonable likeness of her grandmother.

In the collection of photos my client wanted me to restore, there was one tiny 2×2 inch slide. It didn’t have a lot of detail and I asked what the story was with that one – he said it was possibly the oldest photo of his mother the family had. It was a negative and I really wasn’t sure if I could pull anything from it.  But I had to try!

The first thing I did was scan it at a very high resolution – increasing the size and capturing every available bit of detail.

Then I inverted the image so it was not a negative any longer and I could see the image I was going to restore.

Obviously, the resulting image was too faded so I adjusted it and started smoothing over the great deal of roughness in the image, that appeared when all the detail was enlarged. The final result is not perfect but it is a good deal better than the poor little slide, and I was able to provide something at 4×6 inches that was a pretty good likeness of the woman as a young lady.

My latest client collected a group of family photos on a visit to Africa, and sent them to me to restore.

As you can see, this wonderful photo of two little boys is badly damaged and aged.

It is about 40 years old so it has yellowed and up close, there are numerous cracks, both serious and fine.

The work took 4-5 hours total, because of the level of detailed work necessary to remove every crack, and repaint areas which were missing completely.  I also scanned it at a high enough resolution that the final image could be reprinted at 5×7 inches, and be a treasure to both men’s children.